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Entertainment

126 Pins
 7y
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Panavision
Jodie Foster directs George Clooney and Julia Roberts in Money Monster, in which a glib TV financial advisor is taken hostage on the air by an irate investor. Foster tapped Matthew Libatique, ASC to bring her vision to the screen. The two previously worked together on Spike Lee’s Inside Man which starred Foster, but this was their first collaboration behind the camera. Read more at www.panavision.com Jodie Foster, George Clooney, Julia Roberts, Daniel Kahneman, Matthew Libatique, Thriller, Monster Photos, Inside Man, Sony Pictures Entertainment
Jodie Foster
George Clooney
Julia Roberts
Daniel Kahneman
Matthew Libatique
Thriller
Monster Photos
Inside Man
Sony Pictures Entertainment
Highlights | Panavision
Jodie Foster directs George Clooney and Julia Roberts in Money Monster, in which a glib TV financial advisor is taken hostage on the air by an irate investor. Foster tapped Matthew Libatique, ASC to bring her vision to the screen. The two previously worked together on Spike Lee’s Inside Man which starred Foster, but this was their first collaboration behind the camera. Read more at www.panavision.com
This article appeared in the April 2016 issue of Film & Digital Times magazine. Please visit www.panavision.com to read more. Customer Stories, Time Magazine, April 2016, Press Release, Highlights, Entertainment, Times, Film, Reading
Customer Stories
Time Magazine
April 2016
Press Release
Highlights
Entertainment
Times
Film
Reading
Highlights | Panavision
This article appeared in the April 2016 issue of Film & Digital Times magazine. Please visit www.panavision.com to read more.
In Fear the Walking Dead, AMC’s spinoff to the hit series The Walking Dead, the zombie apocalypse has just begun to affect Los Angeles. In the six-episode first season, L.A. residents try to survive as the military loses containment and the power grid goes down. Leading up to the pilot, cinematographer Michael McDonough, ASC, BSC saw an opportunity to employ the anamorphic format for a series. Read more at www.panavision.com Anamorphic, Mcdonough, Fear The Walking Dead, Cinematographer, Zombie Apocalypse, Amc, Broadcast, Cowboy Hats
Anamorphic
Mcdonough
Fear The Walking Dead
Cinematographer
Zombie Apocalypse
Amc
Broadcast
Cowboy Hats
Highlights | Panavision
In Fear the Walking Dead, AMC’s spinoff to the hit series The Walking Dead, the zombie apocalypse has just begun to affect Los Angeles. In the six-episode first season, L.A. residents try to survive as the military loses containment and the power grid goes down. Leading up to the pilot, cinematographer Michael McDonough, ASC, BSC saw an opportunity to employ the anamorphic format for a series. Read more at www.panavision.com
A road movie tinged with science-fiction, Midnight Special is a simple story of a father's love for his son that is wrapped in complexity and nuance. In the film, Roy races through the South, with his son Alton who has supernatural powers but is dying, toward a secret destination where the key to saving his son’s life lies. But government agents and members of a religious sect in hot pursuit have other designs for Alton. The movie stars Michael Shannon, Joel Edgerton and Kirsten Dunst, with Adam Adam Stone, Joel Edgerton, Michael Shannon, Supernatural Power, Fathers Love, Kirsten Dunst, Simple Stories, Movie Lover
Adam Stone
Joel Edgerton
Michael Shannon
Supernatural Power
Fathers Love
Kirsten Dunst
Simple Stories
Movie Lover
Highlights | Panavision
A road movie tinged with science-fiction, Midnight Special is a simple story of a father's love for his son that is wrapped in complexity and nuance. In the film, Roy races through the South, with his son Alton who has supernatural powers but is dying, toward a secret destination where the key to saving his son’s life lies. But government agents and members of a religious sect in hot pursuit have other designs for Alton. The movie stars Michael Shannon, Joel Edgerton and Kirsten Dunst, with Adam
Rodrigo Prieto, ASC, AMC was at the camera for Martin Scorsese’s The Wolf of Wall Street, a tale of greed and excess in the go-go 1980s financial rackets. This time, the duo went back a decade earlier to present a story set in the music industry of the 1970s, as it evolved from kid stuff into big business. The two-hour pilot for the HBO series Vinyl touches on the entire culture of the period – business, fashion, society, and art are all in a state of flux. Read more at www.panavision.com Big Business, Business Fashion, Wolf Of Wall Street, Story Setting, Hbo Series, Martin Scorsese, Music Industry, A Decade
Big Business
Business Fashion
Wolf Of Wall Street
Story Setting
Hbo Series
Martin Scorsese
Music Industry
A Decade
Highlights | Panavision
Rodrigo Prieto, ASC, AMC was at the camera for Martin Scorsese’s The Wolf of Wall Street, a tale of greed and excess in the go-go 1980s financial rackets. This time, the duo went back a decade earlier to present a story set in the music industry of the 1970s, as it evolved from kid stuff into big business. The two-hour pilot for the HBO series Vinyl touches on the entire culture of the period – business, fashion, society, and art are all in a state of flux. Read more at www.panavision.com
The explosion in popularity of the anamorphic format certainly has taxed the anamorphic lens reserves as of late, which left cinematographer Mitchell Amundsen, a die-hard anamorphic and Panavision user, without his favorites for the action-comedy Ride Along 2. “The big movies have been sucking up the lenses I love, the C-series,” he laments. Read more at www.panavision.com Ride Along 2, Red Dragon, Die Hard, Explosion, Mitchell, Filmmaking
Ride Along 2
Red Dragon
Die Hard
Explosion
Mitchell
Filmmaking
Highlights | Panavision
The explosion in popularity of the anamorphic format certainly has taxed the anamorphic lens reserves as of late, which left cinematographer Mitchell Amundsen, a die-hard anamorphic and Panavision user, without his favorites for the action-comedy Ride Along 2. “The big movies have been sucking up the lenses I love, the C-series,” he laments. Read more at www.panavision.com
The majority of The Big Short was made over the course of about 50 days in Louisiana, almost all on practical locations, with a few scenes shot in Las Vegas and New York. To supply his equipment needs, Barry Ackroyd, BSC continued his collaboration with Panavision, as he had on his previous assignment, The Last Face, which was directed by Sean Penn and made in South Africa. Read more at www.panavision.com The Big Short, Jenny Slate, Sean Penn, Blockbuster Movies, Holiday Movie, Bedtime Stories, Barry
The Big Short
Jenny Slate
Sean Penn
Blockbuster Movies
Holiday Movie
Bedtime Stories
Barry
Highlights | Panavision
The majority of The Big Short was made over the course of about 50 days in Louisiana, almost all on practical locations, with a few scenes shot in Las Vegas and New York. To supply his equipment needs, Barry Ackroyd, BSC continued his collaboration with Panavision, as he had on his previous assignment, The Last Face, which was directed by Sean Penn and made in South Africa. Read more at www.panavision.com
When J.J. Abrams and Dan Mindel, ASC, BSC took on Star Wars: The Force Awakens, they knew they were handling a cultural touchstone. As they did with Star Trek and Star Trek Into Darkness, they wanted to respect the antecedent while making a great, entertaining film for today’s audiences. So when it came to choosing format, lenses and the right look, they began by researching how the original Star Wars films were made. Read more at panavision.com Star Trek Into Darkness, World Movies, Star Wars Film, Force Awakens, For Stars, On Set, Cinematography, Behind The Scenes
Star Trek Into Darkness
World Movies
Star Wars Film
Force Awakens
For Stars
On Set
Cinematography
Behind The Scenes
Highlights | Panavision
When J.J. Abrams and Dan Mindel, ASC, BSC took on Star Wars: The Force Awakens, they knew they were handling a cultural touchstone. As they did with Star Trek and Star Trek Into Darkness, they wanted to respect the antecedent while making a great, entertaining film for today’s audiences. So when it came to choosing format, lenses and the right look, they began by researching how the original Star Wars films were made. Read more at panavision.com
THE EQUALIZER - Directed by Antoine Fuqua and photographed by Mauro Fiore with G Series anamorphic lenses and Arri Alexa. Supported by Panavision New York Cinema Camera, Arris, Equalizer, Imax, Entertaining
Cinema Camera
Arris
Equalizer
Imax
Entertaining
Highlights | Panavision
THE EQUALIZER - Directed by Antoine Fuqua and photographed by Mauro Fiore with G Series anamorphic lenses and Arri Alexa. Supported by Panavision New York
THE JUDGE - Directed by David Dobkin. Photographed by Janusz Kaminski with XL2s, PVintage, Primo Zoom lenses and 30ft Supertechnos. Movie Previews, Super Secret, Real Hero, Entertainment Weekly, Work Today, Great Words, Robert Downey Jr
Movie Previews
Super Secret
Real Hero
Entertainment Weekly
Work Today
Great Words
Robert Downey Jr
Highlights | Panavision
THE JUDGE - Directed by David Dobkin. Photographed by Janusz Kaminski with XL2s, PVintage, Primo Zoom lenses and 30ft Supertechnos.
A WALK AMONG THE TOMBSTONES - Directed by Scott Frank and photographed by Mihai Malaimare Jr. with Primo Primes, PVintage, B Series anamorphic and Arri Alexa. Supported by Panavision New York Natasha Richardson, Liam Neeson, Tombstone, Franks
Natasha Richardson
Liam Neeson
Tombstone
Franks
Highlights | Panavision
A WALK AMONG THE TOMBSTONES - Directed by Scott Frank and photographed by Mihai Malaimare Jr. with Primo Primes, PVintage, B Series anamorphic and Arri Alexa. Supported by Panavision New York
DOLPHIN TALE 2 - Directed by Charles Martin Smith and photographed by Daryn Okada with Primo Primes, Zooms and panavised Sony F55 cameras. Supported by Panavision Atlanta Dolphin Tale 2, Martin Smith, Dolphins, Atlanta, Tales, Supportive
Dolphin Tale 2
Martin Smith
Dolphins
Atlanta
Tales
Supportive
Highlights | Panavision
DOLPHIN TALE 2 - Directed by Charles Martin Smith and photographed by Daryn Okada with Primo Primes, Zooms and panavised Sony F55 cameras. Supported by Panavision Atlanta
Watch The Faces of Panavision on Vimeo. https://vimeo.com/104051454 House Rules, Video Maker, Vimeo, House Rental, Standing Desk, Faces, Equipment, Furniture
House Rules
Video Maker
Vimeo
House Rental
Standing Desk
Faces
Equipment
Furniture
Vimeo
Watch The Faces of Panavision on Vimeo. https://vimeo.com/104051454
Directed by Jeff Baena and photographed by Jay Hunter with Super Speed lenses and Arri Alexa. Supported by Panavision Hollywood Zombie Comedy, Zombie Movies, Halloween Movies, Scary Movies, New Movies, Indie Movies, Halloween Season, Dane Dehaan, Aubrey Plaza
Zombie Comedy
Zombie Movies
Halloween Movies
Scary Movies
New Movies
Indie Movies
Halloween Season
Dane Dehaan
Aubrey Plaza
Highlights | Panavision
Directed by Jeff Baena and photographed by Jay Hunter with Super Speed lenses and Arri Alexa. Supported by Panavision Hollywood
Directed by Phillip Noyce and photographed by Ross Emery ACS with Arri Alexa and Hawk V-Lite & Hawk V-Plus lenses. Supported by Panavision Cape Town Jeff Bridges, Lloyd Bridges, Meryl Streep, Lois Lowry, The Giver, Young Adult Novels, Young Adult Fiction, Adult Literature, Literature Unit
Jeff Bridges
Lloyd Bridges
Meryl Streep
Lois Lowry
The Giver
Young Adult Novels
Young Adult Fiction
Adult Literature
Literature Unit
Highlights | Panavision
Directed by Phillip Noyce and photographed by Ross Emery ACS with Arri Alexa and Hawk V-Lite & Hawk V-Plus lenses. Supported by Panavision Cape Town