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Tchaikovsky - The Seasons - March - Piano & Orchestra

Song of the Lark by Tchaikovsky arranged for Piano & Orchestra. March - "Song of the Lark" from "The Seasons" op. Orchestrated by Georgii Cherkin Clas.

Tchaikovsky - The Seasons - October - Piano & Orchestra

Autumn Song by Tchaikovsky arranged for Piano & Orchestra. October - "Autumn Song" from "The Seasons" op. Orchestrated by Georgii Cherkin Classic FM .

Pianist Nobuyuki Tsujii. Blind since birth, his heightened awareness for sound makes the quality of his performances sensitive and emotional. Winner of the Van Cliburn Piano Competition 2011

Blind since birth, his heightened awareness for sound makes the quality of his performances sensitive and emotional. Winner of the Van Cliburn Piano Competition 2011

Beethovn opus 110, composed 6 years before Beethoven's death in 1827.

Beethovn opus composed 6 years before Beethoven's death in

Youkali - Teresa Stratas (from September Songs - Music of Kurt Weill)

Youkali - Teresa Stratas (from September Songs - Music of Kurt Weill)

柴可夫斯基: 弦樂小夜曲 - YouTube

Tchaikovsky - June - Barcarolle from The Seasons with full orchestral accompaniment, never heard before. The piano plays the original part, while the orchest.

Garrick Ohlsson: "Why Chopin? and Other Questions"

Winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson is regarded as one of the world's leading performers of the music of Frédé.

An organist from Zürich improvises on an August Förster Quattrochord Superflügel, a piano whose build and sound are every bit as formidable as its name might suggest. Exemplary of the “Gröβer ist besser” attitude prevalent in Nazi Germany, the “super wing’s” massive bulk of 700 kg is nearly thrice that of the comparable Steinway S-155 from the same period, and where the Steinway model allots three strings per key over much of the compass, the Quattrochord of course allots four.

An organist from Zürich improvises on an August Förster Quattrochord Superflügel, a piano whose build and sound are every bit as formidable as its name might suggest. Exemplary of the “Gröβer ist besser” attitude prevalent in Nazi Germany, the “super wing’s” massive bulk of 700 kg is nearly thrice that of the comparable Steinway S-155 from the same period, and where the Steinway model allots three strings per key over much of the compass, the Quattrochord of course allots four.

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