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The Grandmaster | FilmGrab

The Grandmaster | FilmGrab

I love hard light. I love the shadows it creates and the colors it brings out. I also love the convenience it affords. I work exclusively with small flash,

Shaping Hard Light from a Small Off-Camera Flash for Dramatic Portraits

Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work

Wong Kar-wai (born 17 July is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work

一代宗師 / The Grandmaster / グランド・マスター by 王家衛 wong kar-wai

一代宗師 / The Grandmaster / グランド・マスター by 王家衛 wong kar-wai

In the Mood for Love (2000)

In the Mood for Love (2000)

In The Mood For Love A ravishing non-romance in which the impossibly glamorous figures of Maggie Cheung and Tony Leung come together in a cramped apartment block when they suspect that their respective spouses are having an affair.

2046 (2004), director: Wong Kar Wai -- Thích biểu cảm của Chương Tử Di. Thích cả nhạc phim nữa, nhất là Dark Chariot

2046 - Cinematography by Christopher Doyle, Lai Yiu-fai, Kwan Pun Leung

Amazing cinematography, here by Roger Deakins in "the man who wasn't there" (2001), directed by the Coen brothers.

Amazing cinematography, here by Roger Deakins in "the man who wasn't there" directed by the Coen brothers.

トニーレオン

Tony Leung, in a scene from Wong Kar-wai film "In the mood for love"

“Nearly every shot is framed, refracted, bisected. Mrs. Chan and Mr. Chow are distanced from themselves, each other, us. But the camera is still active, hanging back in realistic remove before tracking and panning in languorous slow motion. Two different cinematographers are at work—Christopher Doyle and longtime Hou Hsiao-hsien DP Mark Ling Ping-bin—but their styles play as two sides of the same dream. All of the images burn, then all too quickly expire.” Eric Hynes, Reverse Shot

'In the Mood for Love' (Wong Kar Wai, Cinematography by Christopher Doyle

by Wing Shya

It is a restless moment. She has kept her head lowered. to give him a chance to come closer. But he could not, for lack of courage. She turns and walks away. Directed by Wong Kar-wai. Cinematography: Christopher Doyle and Mark Lee Ping Bin.

The Double (2013) Directed by: Richard Ayoade Cinematography: Erik Wilson Cameras: Arricam ST/LT Format: 35mm (Kodak Vision3 200T 5213, Kodak Vision3 500T 5219) Mode: Spherical (3-perf) Aspect Ratio:...

The Double Directed by: Richard Ayoade Cinematography: Erik Wilson Cameras: Arricam ST/LT Format: (Kodak Kodak Mode: Spherical Aspect Ratio:.

Days of Heaven / Stills / Film directed by Terrence Malick

Silhouette - Days of Heaven / Stills / Film directed by Terrence Malick