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![Luciano Fabro - Tondo e rettangolo [Circle and Rectangle] - 1964](https://i.pinimg.com/originals/ec/b4/d4/ecb4d4eb0396c3ab04b3fa4736aaeaea.jpg)
Luciano Fabro - Tondo e rettangolo [Circle and Rectangle] - 1964
London's Serpentine Gallery are holding an exhibiton of Thomas Demand's illusory photographs.
MARISA and Mario Merz. I'm in that of that mountain curve that see reflected in this glass lake. To Mario table
![Like @ Pinterest: [Luciano Fabro] In cubo 1966 - It is an air chamber conceived to measure the single individual in which man is the only yardstick for the portion of space which he occupies as shown by a photographic sequence which depicts the artist intent on verifying the dimensions and properties of his cube. By measuring the space through the extension of his body and exploring the richness of physical and sensory variations it offers simple actions enable him to rediscover the basis…](https://i.pinimg.com/236x/06/cd/c0/06cdc027ba98f25d710481ab24f5f753--portion-behavior.jpg)
Luciano Fabro - In cubo [In Cube] - 1966 - Giorgio Colombo
A truly exceptional exhibition (and a personal highlight from my trip to Italy), Arte Povera 1968 is installed in Bologna's M.
Arte povera 1968 MAMbo – Museo d’Arte Moderna di Bologna veduta della mostra / exhibition view
Alexander Calder And Fausto Melotti Examined In New London Exhibition - Artlyst
gilberto zorio(1944) Tenda,1967. tubi e tenda hanno dimensione umana e vogliono rappresentare un abitazione ipotetica. Sia il corpo che la città sono n continuo mutamento, quindi anche l'opera deve subire una mutazione. dall'alto cola acqua salata che con il tempo si trasforma in sale. quindi l'opera non è mai terminata ma in continuo divenire: è un processo continuo in cui elementi naturali si incontrano con quelli arti. manifestando la forza creatrice e l'energia insita nella vita.
Arte povera, capolavori al Mambo - Bologna - Repubblica.
