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Hedi Xandt, Red Composition III (A Smack In The Face), oil and acrylic on canvas, 3 x 2 m, 2014
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Hedi Xandt, Red Composition III (A Smack In The Face), oil and acrylic on canvas, 3 x 2 m, 2014

Xandt, Hedi: Fine Arts, Artists

Hedi Xandt, Red Composition III (A Smack In The Face), oil and acrylic on canvas, 3 x 2 m, 2014

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Delicate Digital Fusion Ysabel LeMay inspiration
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Ysabel LeMay:There is a very simple way to describe the work of Austin, Texas-based visual artist Ysabel LeMay: W.

These beautiful and delicate photographic collages are the inspirational work of Ysabel LeMay. LeMay lives in Naples, Florida where she finds the tranquili

Digital, "FUSIO, edition Love her she is amazing!

Ysabel LeMay is a visual artist born in Quebec, Canada. In 1987 she began a thriving career as a graphic artist. Later, she made a transition into the fine arts studying painting at the Emily Carr Uni

Delicate Digital Fusion Ysabel LeMay inspiration

Delicate Digital Fusion   Ysabel LeMay inspiration
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Peter McDonald Matisse Cut Outs Collage, 2010 acrylic gouache on paper, 20.7 x 29.7 cm
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Peter McDonald Matisse Cut Outs Collage, 2010 acrylic gouache on paper, 20.7 x 29.7 cm

Peter McDonald Matisse Cut Outs Collage, 2010 acrylic gouache on paper, 20.7 x 29.7 cm
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Ютака Мураками (Yutaka Murakami) — великолепный японский акварелист, работающий в технике рисования «по-мокрому» («по-сырому»). Эта техника считается одной из сложнейших при рисовании акварелью. У мастера множество интересных работ, но сегодня мы остановимся на том, что принесло ему наибольшую популярность: котах. Пушистых котах, изображённых на мокрой бумаге акварелью.
Ютака Мураками (Yutaka Murakami) — великолепный японский акварелист, работающий в технике рисования «по-мокрому» («по-сырому»). Эта техника считается одной из сложнейших при рисовании акварелью. У мастера множество интересных работ, но сегодня мы остановимся на том, что принесло ему наибольшую популярность: котах. Пушистых котах, изображённых на мокрой бумаге акварелью.
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'Dunia ni duara' is Kiswahili for 'the world is round'. A saying with many layers: Everything revolves and things change. Go wherever you wish, but you can never leave what is inherently you.
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'Dunia ni duara' is Kiswahili for 'the world is round'. A saying with many layers: Everything revolves and things change. Go wherever, but you can never leave what is inherently you.

Items similar to Beach photography . Blue Horizon on Etsy

Always helps me fall asleep.

'Dunia ni duara' is Kiswahili for 'the world is round'. A saying with many layers: Everything revolves and things change. Go wherever you wish, but you can never leave what is inherently you.

'Dunia ni duara' is Kiswahili for 'the world is round'. A saying with many layers: Everything revolves and things change. Go wherever you wish, but you can never leave what is inherently you.
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Derriere La Gare Saint-Lazare (Behind Saint Lazare train station) 1932: Estimate: $30,000 - $50,000 U.S. dollars
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One of my favorite photographs of all time! -> Decisive Moment, Henri Cartier-Bresson, Behind the Gare Saint-Lazare, Paris, 1932

Henri Cartier-Bresson Behind the Gare St. Lazare, Paris - "There was a plank fence around some repairs behind the Gare Saint-Lazare train station. I happened to be peeking through a gap in the fence with my camera at the moment the man jumped.

Paris, place de l'Europe, gare Saint-Lazare Author: Henry Cartier-Bresson Created in 1932 © Henry Cartier Bresson All shown images are under copyright protection The "Desicive Instant" ("L'instant desicif") is one of the most important.

Henri Carter-Bresson Gare Saint-Lazare 1932 I like this picture because he has taking a picture as it happened and he has used the rule of thirds. I will be taking pictures as they happen and i will try to use the rule of thirds.

Derriere La Gare Saint-Lazare (Behind Saint Lazare train station) 1932: Estimate: $30,000 - $50,000 U.S. dollars

Derriere La Gare Saint-Lazare (Behind Saint Lazare train station) 1932:   Estimate: $30,000 - $50,000 U.S. dollars
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Gregg Albracht. . I was mesmerized by its profile, especially the curve of its neck. As I raised the camera, my imagination had already erased the shape of the foal’s body and the grass that surrounded it. I was greatly influenced by my mother, who is a calligrapher, and there is no doubt that my aesthetic approach favors ‘line’ over ‘light.’”
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The Foal - another for my black and white room.

i love this foal's dorsal stripe!

Ten artists interpret the equine form

try in water colour with splattered hair NR

Gregg Albracht. . I was mesmerized by its profile, especially the curve of its neck. As I raised the camera, my imagination had already erased the shape of the foal’s body and the grass that surrounded it. I was greatly influenced by my mother, who is a calligrapher, and there is no doubt that my aesthetic approach favors ‘line’ over ‘light.’”

Gregg Albracht. . I was mesmerized by its profile, especially the curve of its neck. As I raised the camera, my imagination had already erased the shape of the foal’s body and the grass that surrounded it. I was greatly influenced by my mother, who is a calligrapher, and there is no doubt that my aesthetic approach favors ‘line’ over ‘light.’”

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Hedi Xandt, Red Composition III (A Smack In The Face), oil and acrylic on canvas, 3 x 2 m, 2014

Hedi Xandt, Red Composition III (A Smack In The Face), oil and acrylic on canvas, 3 x 2 m, 2014

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