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Giovanni Antonio Canal, called Canaletto, Italian, Venice, 1697–1768, la Torre di Malghera (The Tower of Malghera), from the Vedute (Views) 1741–44. Etching platemark: 29.7 x 42.7 cm (11 11/16 x 16 13/16 in.) The Arthur Ross Collection 2012.159.6.2. Photo credit: Yale University Art Gallery.

la Torre di Malghera (The Tower of Malghera), from the Vedute (Views)

Giovanni Antonio Canal, called Canaletto, Italian, Venice, 1697–1768, Al Dolo (At Dolo), from the Vedute (Views) 1741–44 Etching sheet cut within platemark, sight in frame: 29.7 x 42.9 cm (11 11/16 x 16 7/8 in.) The Arthur Ross Collection 2012.159.6.4. Photo credit: Yale University Art Gallery.

Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at the Yale University Art Gallery - Alain.

View of the Spanish Steps - Giovanni Battista Piranesi

Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at the Yale University Art Gallery - Alain.

Giovanni Antonio Canal, called Canaletto, Italian, Venice, 1697–1768, Ale Porte del Dolo (At the Locks of Dolo), from the Vedute (Views), 1741–44. Etching plate: 28.32 x 43.43 cm (11 1/8 x 17 1/8 in.) The Arthur Ross Collection 2012.159.6.5. Photo credit: Yale University Art Gallery.

Ale Porte del Dolo (At the Locks of Dolo), from the Vedute (Views)

The Locks of Dolo, from the Vedute

le Porte Del Dolo (The Locks of Dolo), from the Vedute (Views)

Rembrandt Harmensz. van Rijn, Dutch (Leiden 1606 - 1669 Amsterdam), Zacharias (?) and the Angel, c. 1635. Brown ink on off-white antique laid paper, two framing lines in brown ink, 10.9 x 11.5 cm (4 5/16 x 4 1/2 in.). The Maida and George Abrams Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts; 1999.163. © President and Fellows of Harvard College.

1635 Alternate Title: Abraham and the Angel - Brown ink on off-white antique laid paper, two framing lines in brown ink, x cm

Giovanni Antonio Canal, called Canaletto, Italian, Venice, 1697–1768 View of a Town on a River Bank, from the Vedute (Views)  1741–44 Etching platemark: 29.6 x 42.6 cm (11 5/8 x 16 3/4 in.) The Arthur Ross Collection 2012.159.6.9

Canaletto, View of a Town on a River Bank, c. etching on laid paper, x cm; plate: 30 x 43 cm, National Gallery of Canada

Piranesi  www.artexperiencenyc.com

French artist Gérard Trignac was born in Bordeaux, France. Initially educated to architecture, he decided to change his path to focus on art.

giovanni battista piranesi - capriccio architettonico, 1748-1752, china e inchiostro bruno su carta.

Giovanni Battista Piranesi-Giovanni B. Piranesi was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric prisons

thorsteinulf: “ Qiu Ying - Pavilions in the Mountains of the Immortals ”

明代 - 仇英 - 仙山樓閣圖 Pavilions in the Mountains of the Immortals by Qiu Ying,hanging scroll,ink and light colors on paper (紙本墨畫), Date Ming Dynasty, 1550 明代中期 Source National Palace Museum Tapei

Flagellation (1512) - Albrecht Durer

DÜRER, Albrecht Flagellation (No. 1512 Engraving, 118 x 74 mm University Art Museum, Princeton

Рембрандт ван Рейн (1606—1669

Rembrandt van Rijn, Sketch of a Woman Holding a Child © State Pushkin Museum.

Gold | ゴールド | Gōrudo | Gylden | Oro | Metal | Metallic | Shape | Texture | Form | Composition | Photographs by David Earl :: The Seven Deadly Sins: Lips :: 2

Photographs by David Earl :: The Seven Deadly Sins: Lips :: 2

The Roman antiquities, t. 4, Plate XXXII. Following the above table. - Giovanni Battista Piranesi

The Roman antiquities, t. Vista of modinatura big frame on the opposite side of the facade of the portico of Octavia. by Giovanni Battista Piranesi.

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