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Francis Bacon (1909-1992) - Autoportrait à l’œil blessé

Le site des Éternels Éclairs vous propose de visiter sa Galerie de tableaux consacrée à l'artiste peintre Francis Bacon

Francis Bacon. "Study of John Dyer"  Francis Bacon's paintings feed on Munch and Goya. He recruits all the vocabulary of the 20th century art (texture, color, expressionism, distorsion, even size) not for its sake but to create a unique twisted vision of horror and confinement. He is always firmly anchored on the figure no matter how distorted or flayed and remains a figurative artist throughout. His attraction-revulsion towards the male from creates tension and risk.

Francis Bacon. "Study of John Dyer" Francis Bacon's paintings feed on Munch and Goya. He recruits all the vocabulary of the 20th century art (texture, color, expressionism, distorsion, even size) not for its sake but to create a unique twisted vision of horror and confinement. He is always firmly anchored on the figure no matter how distorted or flayed and remains a figurative artist throughout. His attraction-revulsion towards the male from creates tension and risk.

O grito que arranca da gente o pressentimento de forças invisíveis: A PINTURA DE FRANCIS BACON E UMA VIOLÊNCIA MUITO ESPECIAL. | Laboratório de Sensibilidades

O grito que arranca da gente o pressentimento de forças invisíveis: A PINTURA DE FRANCIS BACON E UMA VIOLÊNCIA MUITO ESPECIAL.

O grito que arranca da gente o pressentimento de forças invisíveis: A PINTURA DE FRANCIS BACON E UMA VIOLÊNCIA MUITO ESPECIAL. | Laboratório de Sensibilidades

Francis Bacon, Two Figures (1975). Oil on canvas, 77⅝ x 27¾in. (197.2 x 70.3cm.)

Francis Bacon, Two Figures (1975). Oil on canvas, 77⅝ x 27¾in. (197.2 x 70.3cm.)

Francis Bacon «A partir de son œuvre, l’homme contemporain se trouve brusquement capable de connaître ce mélange de violence, d’angoisse, de peur du sacré, de désir, de désespoir, de déchéance, de recherche de l’amour, d’abjection animale présent en lui, cette manière devenant nécessairement constitutive de la beauté.» Luigi Ficacci, Taschen 2005.

Tableau de F Bacon - couple d'hommes «A partir de son œuvre, l’homme contemporain se trouve brusquement capable de connaître ce m...

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